Nebula releases free Live Performer AU host app for Mac. The post Acustica Audio releases Navy channel strip plugin appeared first on rekkerd.org.

.There have been several times in recent years when the release of certain software plug-In's have generated wild claims of no longer needing to own and maintain analogue audio outboard gear or continue to work OTB (outside of the box) many times this has been part of the marketing hype to try and peak interest in a highly saturated marketplace. I'm sure I don't need to name brand names who have become rather well know for both marketing hype and or generating widely held opinion of the top spot's when it comes to the sound quality and realism of an emulated or modelled piece of vintage analogue outboard hardware so I'll leave that to your own thoughts and opinions. However over the last 10 years or so one particular brand has quietly, but tirelessly been working away in the shadows, pioneered its own proprietary technology and been yielding rather outstanding sonic results while still remaining largely a secret or at least semi-unheard of to the wider audio engineering community.I myself have been following and using their products on and off for several years now, I've watched and experienced them slowly mature into what I now truly believe is about to explode into a domineering force in the audio Plug-in world - The brands name is Acustica Audio. Back when I first discovered Acustica and Nebula for myself I was mainly a Cubase user on Windows XP, which was perhaps 'just as well' considering Nebula was both a VST and Windows only Plug-In. At the time the industry (and at least the circles I was immersed in building Pro Audio PC's) was deep into the grip of the software sampler revolution with Nemesys (later Tascam) Gigastudio and Native Instruments Kontakt leading the way. Stanalone server machines were being built in huge numbers to fulfill the demands by composers wishing to run full orchestras of huge sample libraries never before possible. We thought at the time PC power was really coming of age and yet the resource demands of these libraries was so high that we found ourselves producing such dedicated computers just to handle the hosting and streaming of these instruments leaving the master sequencing computers enough breathing space for the recording and playback of the MIDI data compositions.

In the most simplistic way I can articulate Acustica use their own in house developed sampling tool N.A.T.Sampler to capture the subject hardware just like a convolution impulse response creation, except its done many, many times with varying signal and transient levels passing through which allows the capture of 'dynamic layers' (think of it like multi velocity drum samples) as well as the possibility of more complex parameter adjustments that were not quite so possible with the static and non-dynamic impulse response methods. This results in a huge collection of various files which are then arranged together in a library that the Plug-in can call upon, when you move a knob on the GUI the sample is switched to the appropriate capture and the signal is passed though that sample but this switching is also dependent on the level of the incoming signal thus making is dynamic. Well at least that's how I understand it to work but will gladly be corrected by anyone else with a deeper understanding and articulation for a better explanation. There is far more complexity to this but hopefully that gives you some basic idea of what is going on, It also explains why some of the plug-ins and libraries are rather large due to the size of the sampled library number or dynamic layers and parameter variations. One very important factor to be aware of in order to get the very best from the Acustica products is the understanding and implementation of correct gain staging, failure to pay special attention to this will result in experiencing undesirable or unintended results.Acustica has announced the release of TAN, a free compressor effect plugin. And Pink7236, two compressor effect plugins for Windows and Mac.

The post Acustica Audio releases Navy channel strip plugin appeared first on rekkerd.org. Audio Releases Navy Channel-Strip Plug-In For Mac & PC a video training series for Nebula that is well worth watching and this free excerpt explains the background to the required gain staging, I suggest you take the full course if you want to know as much as possible and of course read all of the relevant product manuals and documentation. As I mentioned above there were some drawbacks to this whole Nebula experience in the early days which was also a shortfall for many other plug-in brands. As software developers began to realise the possibilities open to them with the rapidly increasing processing power unleashed by Intel processors and no sooner had the users thought processing power had come of age suddenly being able to run a stock EQ and Compressor on every channel of our DAW plus a few carefully selected mix effects as 'fairy dust' We saw those resources begin to get gobbled up again by more complex plug-in designs sapping more and more CPU cycles than we had previously been used to. Running Nebula in multiple instances seemed to throw all those ideas of processing power liberation to the wall! This was one CPU hungry little firecracker and it was pretty tough to run as many instances as we might have wanted or become accustomed to from some of the older plug-ins.We were! Dual CPU Multi-threaded Xeon powered RAM packed monsters were our thing back then but they were very expensive and so limited to who could afford them! As with most high CPU demanding software applications in the audio world one of the major adverse effects of CPU load is the decreased ability to operate at low latencies, this becomes a problem when wanting to record and monitor though plug-ins or achieve playback of a heavy session to mix without audio artifacts such as pops and clicks or worse still total audio engine dropouts.

This wasn't quite turning out to be the utopia we had hoped for and the DSP powered alternative of the time such as Digidesign/Avid Pro Tools HD TDM, TC Electronic Powercore and Universal Audio UAD were also winning a lot of favor by releasing CPU cycles and hosting their plug-in on their own dedicated DSP chips but sill with the latter two examples latency continued to be something of an issue.' Hand in hand' with the two other issues mentioned above this one sealed the deal for many people, For some when the performance of a system was being 'stretched to the max' a crash at just the wrong time is incredibly frustrating and after a while becomes too much disappointment to continue to endure. The benefits in other worldly sound quality did not outweigh the risk of random crashing or audio artefacts to which early versions of Nebula seemed to be plagued with in my own experience.

In some instances it was difficult to run just one Nebula insert and eventually I gave up trying to incorporate it into my work on a regular basis, but I knew the potential was there and sooner or later things would improve, and they did. I continued to upgrade to newer versions as they were released, Nebula Server was a new exciting addition which meant you could run a standalone network linked server PC to power Nebula instances in your DAW but I never really got that into my studio templates and didn't want to have to invest and maintain a dedicated second PC for the task at the time.It was the same story when years later I got Vienna Ensemble Pro, the idea was nice but I never really got into the whole workflow. As my interest in Nebula dwindled a little I was also more and more running Pro Tools as my main DAW of choice and trying to run Nebula through a VST wrapper in Pro Tools was an absolute 'crashy unstable nightmare' so I shelved the idea and waited it out still thinking one day things might get better. Another thing made sense to me (even if it wasn't necessarily what Acustica were thinking) Why just release libraries for the same Plug-in over and over when you can easily release a new entire plug-in every time based on the same code you can keep reusing?

You can package your library in a new GUI with dedicated controls, snazzy photo realistic graphics and call it a totally new product - makes perfect marketing and sales sense to me, plus with the added benefit that as new advancements are made in the core engine technology the newly released plug-ins can be built with that in mind making them better performing as time goes on. Acustica Audio Releases Navy Channel-strip Plug-in For Mac ProThe best thing of all about AcquaVox it was totally FREE! Acustica were on to something, they began to release new premium Acqua based plug-ins with beautiful GUI's and incredibly beautiful sounds based on sampled real hardware, the core engine quality had increased massively and continued to do so with every new release and the plug-ins really have begun to carve out a totally new high standard that many of the long established plug-in brands do not come close to reaching. I am by no means joking when I say these latest Acqua releases really do sound so close to hardware its not even a contest to bother arguing about anymore - I'm not the only one saying that either, for some light reading checkout the - a place where it would appear people live and die by their opinions. It would also be untoward to not mention that Nebula has recently received an overhaul and update to Nebula 4 and new specially crafted libraries with integrated beautiful GUI's are being developed as we speak.

Nebula 4 uses one such as an example included free called 'Rose'. Five different equalizers, two extremely rare compressors, seven preamplifers and a routing control section prove how this is one of the most complex and complete ACQUA plugins ever released.Anyone in search for faithful emulations simply must try this vintage British channel strip (complete with its standalone modules). Acustica has decided to create an Anthology (Analog Dreamware Anthology) plug-in. It's not just a series of plug-ins: our goal is to provide all customers with a complete collection enclosing all inestimable outboard of the past. In order to realize our goal we are ready to hunt them down to the ends of the earth. 'GOLD Standalone modules' consisting of. GOLD COMP.GOLD PRE.

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GOLD EQ To help unleash the incredible potential of our GOLD’s modules, we have created a BUNDLE including each individual module of gold, enabling sound engineers to use each component separately, with a significant saving in terms of CPU. This will help enhance your mixes ensuring quality, versatility and the distinctive sound peculiar to Acustica’s plugins. We hope GOLD Standalone modules will meet our most demanding customers’ requirements. Features actually supported in Core9. Variable speeds on vector nodes improving the sound quality of the compressors and allowing to reach very fast speeds and precision.Envelope followers based on control sources. Queue messages used for several widgets like knobs improving the behaviour, control, and stability of plug-ins.

Hiddend components fault-tolerant inside nebula/acqua engine to minimized crash/bugs. New wrapper to get better balanced AAX format. Several minor fixes and improvements (about trimming, sample rate conversion, distribution of sample rate packs, fixes on loaded program rate).

This engine is linked to Nat4 to allows the full automatic compressor sampling. Switchmode optimization reducing CPU loading.Lazy loading pattern introduced to improve the loading of the objects.

Lime provides our customers with different devices, sampled with Acustica’s technology and merged in a single plug-in. It’s inspired by a legendary inline mixing desk, and it’s aimed for those who are looking for a faithful emulation of that legendary sound.

Without a doubt, Lime is one of the best choice to “mix in a box”. This groundbreaking channel strip delivers the quality and versatility to enhance any performance that requires that distinctive British sound.It features several preamps, two sets of low and hi pass flters, two four-band equalizers, 5 compressors (gate,?) and an external dynamics side chain.

You are free to change their routing order in the signal path as appropriate by selecting one of the 14 different configurations. Like we did for Sand and Coral, we decided to create standalone versions for each module. Lime strip includes 8 classic preamps to add warmth to your sound, while the standalone version includes 11 of them.A new Italian project merging the passion and love for the art of Acustica and Luca Pretolesi’s homeland with the soul of Las Vegas. Art and technique merge together culminating in a plug-in providing the most accurate digital representation of Studio DMI signature sound. DIAMOND - Color Eq is the first plug-in of a new series called Diamond, designed to embellish and enhance your sound! The Pre section adds extra harmonics to this Eq and can be switched off to use a chain of Eqs without summing the harmonics of each of them. The thinking behind this process is to provide the full quality of the analog behavior, which means placing all the emphasis on quality over CPU resources.Check your inbox or spam folder now to confirm your subscription, if you don't do this you wont get any emails from us.

Recent Comments. Said, 'Cool, Well we usually use our tests here as our baseline, if something looks odd or out of whack we can go back and look up things like Geekbench scores but they really don't mean much to us hence.' About on 3/27/2017. Said, 'Yes sounds good.my main room is offline so I just downloaded the sessions this morning. I will try them out sometime this week and let you know.It might be cool to get a CPU baseline reading to.' About on 3/27/2017.

Said, 'We're working on getting some benchmarks up on the website which should help people make decisions on what would be best for them, hang in there:) In the meantime give the tests a try let us know.' About on 3/27/2017.

Said, 'So.what's your score?' About on 3/26/2017. Said, 'Awesome Stuff.' About on 2/28/2017.Introduction If you've been following DJBooth Pro Audio for a while now, you'll know we're big fans of the work innovative Italian developer Acustica Audio is doing; both their Nebula and Acqua plugin lines use proprietary hardware sampling technology that produces a far more natural and true-to-life hardware sound than many algorithmic plugins do. Being big fans of Acustica's plugins, we were thrilled to see their recent release of PINK2, which is an updated version of their take on classic API consoles, channel strips, EQ's, and compressors. API ranks right up there with SSL and Neve as one of the most legendary hardware manufacturers in history, and with good reason; their gear has helped shape the sounds of thousands of major records over the past 40 years, and the API 2500 compressor is one of the most incredible pieces of hardware I've ever had the good fortune of mixing on. Setup and First Impressions If there's been one consistent knock on Acustica's plugins in the past, it's been a less-than-ideal setup and installation process; I still remember buying Nebula 3 back in 2012 and spending several days trying to make sense of the hundreds of Vector and Program files the plugin required to run, as well as some of the more advanced settings.

Luckily, Acustica has come a long way since then—setting up PINK 2 was relatively hassle-free, although I did have some issues getting the Audio Unit to install initially (this bug has been fixed since). All Acustica Acqua plugins are now installed and authorized through the unified Aquarius desktop app, which lets you install new plugins, manage existing authorizations, and roll back to previous versions if need be.While I still can't say Aquarius is the smoothest installation manager I've ever used, it's not bad either, and it's definitely a firm step in the right direction for Acustica. PINK2 installs as a suite of 6 plugins; PINK2 215 (preamp module), PINK2 780 (10 band graphic EQ), PINK2 1650 (4 band EQ), PINK2 2412 (single-band compressor), PINK2 7236 (multiband compressor), and the PINK2 Channel Strip, which features EQ, Compression, and Saturation in one unified plugin. Visually, PINK2 is the most impressive plugin we've seen from Acustica, and it's one of the nicer plugins to look at that we've come across in some time; while there are some clear allusions to vintage API gear here, Acustica has been careful to not exactly copy API's unique rotary knob designs.Compared to older Acqua plugins, PINK2 is noticeably snappier, and there's substantially less latency between the time you turn a knob and hear the sound change, which is a big win in the usability department. While the Acqua experience still isn't quite as seamless or smooth as many algorithmic plugins (we'll explain why below), the sound makes it more than worth it, in my opinion.In Use If you missed our earlier reviews of Acustica's stellar Diamond EQ and Ebony EMT140 Plate Reverb, it's first helpful to explore what makes their plugins genuinely different from just about every other one you have sitting in your DAW at the moment.

To heavily oversimplify, almost all DSP plugins use some form of algorithmic processing; while this can mean wildly different results between different developers, fundamentally the approach is the same—study a piece of hardware, create an algorithm that recreates its processing in the digital realm, tweak, and repeat. Instead of using algorithms, Acustica uses a proprietary sampling approach, capturing thousands of snapshots of a piece of gear in various settings; the company then recompiles these snapshots (similar to a convolution reverb sample, but more advanced) into a plugin which recreates the actual sound and response of the hardware unit which was sampled. It's a unique approach, and in my experience with their plugins, it often leads to a sound that's substantially more true to the hardware than an algorithm can be. While there are some downsides to Acustica's sampling tech—in the past, their sampling has been substantially better at recreating EQ devices than dynamics processors—each iteration of their Core software seems to push things even closer to the hardware realm, and this is certainly the case with PINK2.

What sets Navy apart is of course the sound which sets a new level of quality for emulations of these classic units. But that is not all Navy also provides a more comprehensive selection of mix tools featuring variations of the class A input preamps (P73 and P81), several British console output amplifier stages, and a 4 band EQ with additional high and low pass filters. This makes Navy a powerful mix tool which can replace standard console, EQ and filter plugins and bestow the Nebula quality sound to your audio in one instance, all at a new level of efficiency with Core 7.Navy is the first plugin to natively exploit the new Core7 engine, a revolutionary multithreading technology by Acustica. It is based on a fractal approach to partitioned convolution, and this allows for optimised performance and maximises the use of your system resources.

The plugin comes in a standard version which allows high instance counts almost a 20% increase from the previous highly optimised Core6, and a new zero latency version possible with the efficiency of Core7.Navy has input AND output amplifiers three options for each plus a bypass. This gives a broad palette of options to choose to add colour and saturation to your audio. The input options are made out of the P73 and P81 units including a combined program. The outputs are made from sampling various output points of the console, each of the three options has from one to three transformers in the audio path providing differing musical harmonics. The level hitting these amplifier stages and thus the amount of colour introduced can be controlled by the plugin input ‘trim’ control which drives the unit but autoadjusts the input and output levels.Navy features a 4 band EQ with Low, Lowmid, Highmid and High EQ bands and a selection of musical frequency points as per the original hardware. The Low and High band can be a shelf or peak, and a broad or sharper Q for mid peak bands.Last but not least the filters of course sampled in Nebula quality, which elegantly control your audio signal.

A high and low pass with five frequencies each can be switched in alongside the 4 EQ bands to complete a versatile and effective tone shaper.Navy for Windows and Mac (VST/AU/AAX) is available for purchase at a 10% launch discount for 99 EUR. Short invocations for meetings. You can also win a copy at the.More information.