ExcellentThis product is in 'like new' condition and shows little to no signs of use. Free from blemishes, scratches, and user wear.
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Find the current Blue Book value and worth of your new and used guitars, both acoustic, electric and amplifier. The number one source of guitar and amplifier pricing and information so you can find the price and value of your used guitars and amplifier. Use this site for a pricing guide and source of information on all guitars.
All controls are completely functional. GreatThis product shows little signs of use and all controls are completely functional. It may have minor surface scratches. GoodThis product is completely functional and shows some signs of use.
It may have surface scratches and/or dings and dents. FairThis product is functional but shows signs of heavy use that could include, but not limited to; scratches, dings, dent, chips, and worn parts/controls. PoorThis product shows significant cosmetic and functional wear. It may need repair and/or part(s) replaced.
Burny/Fernandes Guitars:Fernandes is the parent company that made most of the company's Fender replica guitars under its own Fernandes name.Burny is the brand name or division that focused on the making of Gibson replica guitars. Fernandes/Burny first startedcloning Fender and Gibson guitars in the 1970s and continued thorugh the mid-1980’s, up until Fender and Gibsonthreatened to sue them for copyright/trademark infringement. At that point, Burny/Fernandes changed their truss rodcover shape and other small details to appease both Fender and Gibson. For their Fender copies, they were forcedto change their headstock shape completely.The rare old Fender and Gibson 'lawsuit' replicas that can be found are extremely accurate in their attention to detail thatthe original Fender and Gibsons had. The guitars were called the “Revival” series, as they were essentially reviving the oldclassic Fenders and Gibsons. The headstock logos were dead ringers from 15 feet away.
On the Revival Stratocaster,the saddles were stamped like Fenders, except bore the F.S.R.G. Stamp (Fernandes Sound and Research Group) insteadof the FENDER stamp. Other details were uncanny, too, in their replication of the Fender Strat. The Tele was just asmeticulously cloned as well.As for the Burny’s, the Les Paul models were given the name “Super Grade” instead of “Les Paul.” These models beganwith RLG and then a number, designating the price at which it was to list at, similar to other Japanese brands from thesame era. Most Japanese guitar manufacturers used the model number to reflect the list price of the guitar. The BurnySuper Grade Les Pauls have been reported by many recording and gigging professionals as “the best” clone of theoriginal 50’s and 60’s Les Pauls.
They say the feel of the neck is identical and especially enjoy the tone of the pickups.They were looking for stage replacements for their $30,000 Les Paul, and the Burny’s seemed to be the answer.The pickups Burny and Fernandes made for their Fender and Gibson clones are highly-regarded as some of the bestvintage replica pickups. Fernandes used L-5000, L-5000 Vintage II, and L-5001 single coil pickups in their Fender-styleguitars, while the Burny models were fitted with the now famous VH-1 pickups that have extraordinary tone.The older Fernandes guitars do have serial numbers on occasion, and can be found on the neck plates of the Revivalseries Stratocasters and Telecasters, bbut otherwise, Burny and Fernandes didn’t often use serial numbers. Dating aBurny or Fernandes can be loosely done by looking at the truss rod cover.
The Gibson bell-shaped covers are found on1970’s to early 1980’s models. The bell-shape cover with a thin white band and ridges sticking out from the side are foundon mid-1980s to early 1990’s models. These old “lawsuit” style models are very rare to find nowadays, and are highlycollectible. Prices even in Japan are triple what they were 5 years ago due to collector interest not only from abroad,but also from within Japan.Currently, Burny/Fernandes is still making high-end Gibson and Fender replica guitars in Japan, but has also opened up afactory in China that initially made cheaper models that weren't up to par with the Japanese-made guitars, but apparently arenow finding their groove and are turning out decent guitars. I also saw a handful of Burny Les Paul style guitars with 'Made inKorea' stickers, which leads me to believe that at one point in the early 2000s, Fernandes tried to set up shop in South Korea.In any case, and in my opinion, there is really no comparison between the Japanese and Chinese or Korean models - theJapanese just have higher standards of work and materials while the same standards are not always upheld elsewhere, evenunder Japanese direction.
That's why Burnys are still made in Japan and in China. Domestic models have a certain pride ofquality and materials, while the Chinese models typically don't. The Korean models I saw were built using wood that was notproperly dried and these guitars can warp over time. Don't get me wrong, there are many well-made Chinese/Korean guitarsout there, but out of 10, maybe 5 or 6 will be made correctly, in my experience.
The Japanese models are nearly perfect 9out of 10 times. You'll pay more for a Japanese model, but you're going to get better wood and craftsmanship in most cases.How can you tell the difference between a modern Japanese-made Burny and a Chinese-made or Korean-made Burny?You really need to trust a seller and ask lots of questions about the craftsmanship (ask to see a photo of the neck pickupwell and also ask what the model number of the guitar is). All Burny/Fernandes guitars have model numbers, but sellersoften intentionally or unknowingly misrepresent the model numbers to get higher prices. Most guitars look good from theoutside. Have a look under the hood before you buy one. I am still gathering information about how to determineJapanese-made vs. Chinese-made & Korean-made and will update my site as soon as more accurate information is located.